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Blue Star

36" X 46" (Medium: Oil / Spray Paint)

A solitary blue figure, elongated and facing away, dissolves into a sea of blue—a meditation on solitude and transcendence. Behind him, an intricate star pattern radiates with quiet intensity, suggesting cosmic order, spiritual depth, or the elusive nature of identity. The tonal harmony and precision of the composition evoke a sense of self creation through restraint, while the singular presence of the figure underscores the rarity and emotional gravity of oneself. This is a statement work—one of silence, symmetry, and self.

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Masculine Compassion

36" X 46" (Medium: Oil / Spray Paint)

A commanding piece, this work captures two men locked in a visceral yet intimate struggle—wrestling within a stark, geometric framework that symbolizes rigid masculinity and societal structure. The tension between aggression and tenderness invites the viewer to confront the paradox of dominance and vulnerability. Layered in warm tones and bold contrasts, the painting transcends traditional representations of masculinity, offering a luxurious exploration of power, connection, and restraint. A singular expression of conflict and compassion, rendered in a palette that speaks to both opulence and raw human emotion.

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Lost Innocence

36" X 46" (Medium: Oil / Spray Paint)

This singular work captures the haunting transition from innocence to exposure—an evocative exploration of identity altered by the consumption of modern sexuality. The central figure, pierced by arrows yet revealing himself and smiling, reflects the psychological residue left in the wake of transformation. Rabbit ears allude to the beginning and purity, now complicated by experience and unseen wounds. Rich in symbolism and visual tension, this piece offers a rare confrontation with the duality of pleasure and pain, resilience and ruin. A luxurious and unapologetic portrayal of the erotic and the existential.

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Switched Heads

40" X 30" (Medium: Oil / Spray Paint)

Inspired by the emotional residue of a breakup, this painting reimagines the tension between intellect and desire—between the brain and the body—as competing priorities within modern relationships. The composition draws from Grant Wood’s iconic American Gothic, echoing its stoic rural symbolism to reflect a sense of what might have been. But here, the narrative is inverted: a surreal landscape and symbolic gestures speak to a connection severed by misaligned values.

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Bug Chasers

40" X 30" (Medium: Oil / Spray Paint)

A rare and confrontational piece, this painting exposes the unsettling undercurrent of a subculture where harm is eroticized and consent is fractured. The central figure, marked with a biohazard symbol—a real-world identifier within this sub kink—stands as both a warning and an invitation. Cloaked in green skin, the subject is a projection surface for pathology, deception, and distorted desire. Bold in concept, this work offers an uncompromising exploration of violation masked as intimacy.

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Scars

46" X 36" (Medium: Oil / Spray Paint)

A striking red figure rises from a pool—his body marked, scarred, and unapologetically exposed. Though not the central focus, his presence commands attention, representing the overlooked truths hidden behind curated desire. His beauty is undeniable, yet it is the imperfections—often blurred out in adult film imagery—that give him depth, humanity, and power. This painting is a message on what is edited out, on the unseen narratives behind erotic consumption. What is the cost of being desired?

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Orange Pig Man

36" x 46" (Medium: Oil / Spray Paint)

Continuing a symbolic language developed in my earlier works, the pig-headed figure represents a critique of hypersexual objectification—specifically, men who reduced intimacy to consumption, treating the self as disposable. In this piece, the figure floats adrift in a sea of his own desires, both confident and oblivious. The opulent composition and surreal palette contrast with the grotesque symbolism, creating an arresting visual paradox. A message on lust, detachment, and the dehumanizing pursuit of pleasure.

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Bridge of Isolation

36" X 46" (Medium: Oil / Spray Paint)

Set against the haunting silhouette of Pasadena’s Colorado Street Bridge—an architectural icon shadowed by its tragic legacy—this painting channels the quiet desolation felt within the adult industry. The bridge, long associated with suicide, becomes a symbolic threshold between visibility and erasure. At its center stands a pig-headed figure, a recurring motif in my work, representing a moment of personal reckoning: loneliness, shame, and the internalization of objectification. This piece is an unflinching self-portrait of identity, longing, and the unseen cost of desire.

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Flesh Suits

30" X 40"

This painting features two pig-headed men—grotesque avatars of hyper-masculine excess—encircled by the searing text:"Fuck the money from your insecurities. Roided pigs in bulging flesh suits. Inject the dream."The piece confronts the commodification of male insecurity within fitness and body enhancement culture, where steroid-fueled bodies profit from the very doubts they help create. It is both a satire and a critique, limited reflection on power, manipulation, and the selling of the impossible body.

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The Meaningless Hammer Club

46" X 36"

Created during a period of disillusionment with online culture, this work critiques the illusion of power and originality among digital creators. Presented as bold, egocentric, and self-styled as leaders, many reveal themselves to be unthinking imitators—followers masquerading as visionaries. Their only instrument of influence: the hammer, a crude stand-in for the phallus, stripped of nuance and loaded with empty aggression. Surrounding the figures, the handwritten text reads:“When did life become a circle jerk of moronic sheep? When did the light behind your eyes turn metallic and greedy? The meaningless hammer club.”

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Intertwined

46" X 36"

As one of the earliest and most personal works in this series, this piece layers three of the most difficult moments of my life—each marked by their exact dates—beneath the image of a recent sex scene in which I performed. The composition speaks to the inescapable entanglement of past and present, pain and performance, identity and survival. Every element is deliberate: nothing is forgotten, nothing is erased. This emotionally raw painting is a meditation on acceptance, memory, and the quiet pleasure of making peace with one’s own history. A singular artifact of vulnerability made permanent.

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